Max Weinberg is now a Vater Artist

Vater is very pleased to announce that Max Weinberg, the legendary drummer for Bruce Springsteen and the E Street Band, has joined the Vater Artist Family!

 

 

In 1974, Max Weinberg was playing in pit bands for theatrical productions when he answered the Village Voice advertisement that requested a drummer capable of playing R&B and jazz for an immediate audition. Weinberg had never seen the E Street Band and was unfamiliar with most of their material.
 
He was, however, a talented drummer and possessed superior instincts. Legend has it that Max’s performance on “Let the Four Winds Blow” during his audition won him the job. Weinberg could easily play the beat for the song, but it was his ability to take cues from Springsteen — specifically, playing a rim shot when Bruce held up his hand to stop the band and then starting back into the song — that was most impressive.
 
Max joined the band at the same time as new pianist Roy Bittan, and the new lineup of the E Street Band went on to record some of Bruce’s best selling and most highly regarded albums. Mighty Max’s crisp, powerful drumming is a highlight of hits such as “Born in the U.S.A.,” as well as deeper album tracks such as “Candy’s Room.” 
 
Following the band’s breakup in 1989, he would find great success as the musical director and band leader for “Late Night with Conan O’Brien.” Having literally talked his way into the job following a chance meeting with O’Brien on a New York City street, Weinberg put together a top flight set of musicians to form the Max Weinberg Seven.
 
When the E Street Band reunited and proceeded to tour regularly in the 2000s, NBC allowed a special dispensation, permitting Max to take leaves of absence from the show in order to go on tour. When scheduling difficulties associated with O’Brien’s move to the “Tonight Show” forced Max to miss several E Street Band shows in 2009, Bruce chose Max’s son, Jay, to serve as a temporary replacement.
 
Max is currently on an arena tour with Bruce Springsteen and the E Street Band in support of their new release, Wrecking Ball. Released on March 5, 2012, Wrecking Ball debuted at No.1 in 16 countries and was Springsteen's tenth No. 1 album in the United States, tying him with Elvis Presley for third-most No. 1 albums of all-time.
 
“We’re very excited and honored to welcome Max Weinberg into the Vater Family!” said Chad Brandolini, Vater’s Artist Relations Director.  “When Max and I started talking early in the year, he explained to me the importance of the feel that he was trying to get out of the drumsticks when he played. Kudos to Vater’s production manager, Billy Clark, and the guys in our factory, who quickly turned Max’s thoughts into a design that perfectly met what he had been searching for. We’re thrilled that Max’s stadium filling sounds now start with Vater sticks in his hands.” 

 

SOME WORDS FROM MAX'S PEERS:

“Such a huge inspiration growing up watching him play. He will forever be one of my favorite drummers!”  -Nate Walker [Lit]
 
“Such raw, powerful, positive energy while maintaining an unsurpassed level of integrity and class. Sums him up both on and off stage.  He's been such a great influence on my life as a drummer and human being. A true mentor and role model." –Branden Steineckert [Rancid]
 

 "A drummer who's determination, incredible playing and charisma has led an amazing example of how to stand out from behind the kit and grasp many different opportunities in the world of music and show business" -John Fred Young [Black Stone Cherry]

"Watching him play for the first time was a revelation - he was a guy who had all the chops in the world but instead he favored grooving and serving the song. It changed the way I thought about approaching the drums and that’s the biggest compliment I can give!" -Eric Slick [Dr. Dog/Adrian Belew Trio] 

“He is a pivotal part of his band and a perfect fit for their music. Rock n' Roll’s busiest drummer! Period.” –Kevin Baldes [Bass player for Lit]

 
“To me, this drummer signifies the best qualities that any musician would look for, driving the band with a rock solid feel regardless of the musical style!” –James Harrison [Boise State University Drum Line]
 
"His drumming is like a velvet fisted steam engine that can seduce, provoke, and conjure any emotion known to man!!" –Dave Krusen
 
"This man's drumming is legendary and he will no doubt go down in our musical history books as an icon of rock-n-roll!" –George Sluppick [The Chris Robinson Brotherhood]
 
" An MVP in a band full of MVP's. A Marathon Man, a Superhero and one hell of a drummer." –Mike Levesque [Seven Mary Three/Independent]

"When I see a drummer go from being a cooperative, solid backbone of one group, to being a fun, outspoken leader of another group in a totally different style, I'm really impressed and humble myself to the guy. This dude does it well." -Sean Winchester [Everclear/Something Bot Metro]

“Whether you regard this legendary player as a drummer’s drummer or a fan favorite, he is always at the top of the list. His career has spanned decades and he has remained not only relevant but groundbreaking, influential and pioneering. His accolades are many and his accomplishments unmatched. This guy defines taking things to the max in everything he does.” –Kenny Livingston [Sugarcult]
 
 “The King of the Big Beat.” - Modern Drummer Magazine
 
 "An American drumming icon. Known by name to even non-drummers. I don't know if it get’s any cooler than that!" Jimmy Pemberton [Educator/Kiley Evans/Independent]
 
“The man, the myth, the monster drummer! I’ve had the pleasure of meeting him and watching him play up close before, and that was amazing. So happy that he’s now a part of the Vater family. “ –Morgan Rose [Sevendust]
 
“First time I saw him I was mesmerized by the razor sharp precision and execution he had on the drums. His form, charisma, and style is so killin! He is a master of his craft that far exceeds drumming!  We are blessed to have him as one of our drumming heroes!” –Mika Fineo
 
Powerful rock drumming that keeps the beat banging for hours on end…year after year after year!” –Billy Amendola [Modern Drummer Magazine]
 
“This gentleman has impeccable posture at the kit ...he's funny as hell..And swings like he's in a Big Band too..oh, wait...he is!” –Chad Smith [Red Hot Chili Peppers/Chickenfoot]
 
“One of the most iconic and successful drummers in American music history” –Tony Escapa [Ricky Martin/Franco De Vita]
 

Categories: Artists | Video
Posted by Chad on Thursday, September 27, 2012 11:17 AM

John Fred Young of Black Stone Cherry Joins Vater

We are very pleased to welcome John Fred Young of Black Stone Cherry to the Vater Artist Family. John Fred is now using the Vater XD5A in Wood tip.

 

 

Vater Artist Spotlight Video:

 

 

 

About Black Stone Cherry:

Deep down in Louisiana, close to New Orleans, rang like a Sunday morning church bell, calling on saints and sinners alike to free their minds and become part of the revolution. They came out of the Southern swamps, the California desert, the working class towns of the Midwest and all along the East Coast. Loud guitars and larger than life drumming came together with storytelling poetry. Rebel-ism gave birth to rock “n’ roll. Every few years or so, a special batch comes up from the ground, to serve as a beacon. Black Stone Cherry has arrived with their second Roadrunner Records release, Folklore and Superstition.

"There is a mystique with folklore and superstition," says Black Stone Cherry drummer John Fred Young. "We're intrigued by and interested in history, roots and heritage, and we incorporate that into the band." The ability to tell compelling stories and lyrical tales isn't the only thing that Black Stone Cherry brings to the table. The band can churn out riffs that'll put hair on your chest. They crank out choruses that are fit for a fist-raising rebel rousing and still keep the beauty of a Sunday morning back porch service. Folklore and Superstition isn't just a Southern rock record. It's an American rock n’ roll record.

The album is a timeless work by American pied pipers destined to take their music from the back roads of America to the four corners of the globe. "We are taking Southern tradition and giving a taste to the rest of the world," says bassist/vocalist Jon Lawhon.

Black Stone Cherry didn't stray too far away from home to record the album. The band wrote all the songs in the infamous Practice House, an old farmhouse used by John Fred’s father and uncle to write Grammy winning albums for The Kentucky Headhunters. A song like “Soul Creek” fills the room with its vintage arena rock sound yet was born where the band held bonfires around a creek across the road.

The band enlisted famed rock producer Bob Marlette (Ozzy, Shinedown) and headed to Nashville’s Blackbird Studio that has housed everyone from Kid Rock to The Raconteurs, just 85 miles from their hometown of Edmonton, Kentucky. “We incorporated regional sounds into the mix throughout the album,” says Young. The band used turkey calls, a banjo and a washtub basin, among other things. Jon Lawhon recalls, "I made a washtub bass out of a tub, a broom handle and nylon rope!" Clearly, the band shyed away from absolutely nothing when it came time to explore and experiment. "We didn't want to leave any door unopened while recording," says guitarist/vocalist Ben Wells.

Years of touring in support of their self-titled debut helped inspire and direct Black Stone Cherry's worldview when it came time to write the new album. The band traveled extensively outside the United States during the tour cycle on their 2006 self-titled debut. This allowed them to stretch their creative muscle and flap their musical wings even higher, with songs like "Please Come In" and “Sunrise” that show the band's growth and diversity.

"This album has allowed us to dig deep into our roots," continues Young. "It also shows the influences of the songwriting. Our band is a positive band and we try to write songs that are uplifting. We also have a very big storytelling side which comes through on the songs 'Ghost of Floyd Collins’ and ‘Reverend Wrinkle.’"

Vocalist/guitarist Chris Robertson reflects on the process, saying, “Starting out as a band seven years ago, with high hopes and even bigger dreams, I honestly believe this record shows the experience of our past travels, and gives a hint of the future. It captures all the energy and heart that make up Black Stone Cherry. We took some chances on this album and I believe that our fans will appreciate seeing the other sides of the band that they may or may not have known existed.”

Guitarist/vocalist Ben Wells comments on the band’s expansion of its sound and subject matter, saying "The songwriting took on a life of its own, as the structures of the songs themselves have grown so much from touring. We have so much more to talk about and can use the things we picked up musically.” He admits the band also kept the ladies in mind this time around, recalling, “On the last album, girls would come up to us and say, 'You have songs for guys, so where are our songs?’ So we have a song called 'You' on this album, which is a timeless ballad."

The band’s family and friends are another influence. "Long Sleeves" is told from the viewpoint of a friend who took part in the battle of Mogadishu as featured in the film “Black Hawk Down,” while "Things My Father Said" is a ballad that hits home with people from all walks of life.

From the eerie swagger of “Devil’s Queen” to the tell tale rocker “Blind Man” to the triumphant stomp of the anthem “Soul Creek,” Black Stone Cherry say the trick to Folklore and Superstition is simply brotherhood, family, friends and home; no more, no less.

Posted by Chad on Tuesday, September 11, 2012 11:35 AM

Jose Pasillas of Incubus Videos

We caught up with recently new Vater Artist Jose Pasillas II of Incubus at the first stop of the 2012 Honda Civic Tour in Boston. Jose took a few minutes out of his crazy schedule that day to talk about why he moved over to Vater and also answered the questions that were submitted on Vater's Facebook Fan Page and Twitter Page

Jose Pasillas Vater Artist Spotlight Video:

 

While we were there, we had our long time friend and Jose's Drum Tech, Sean Bates, talk about working for Jose, what his daily schedule is like, Jose's kit set up, maintanence, how he got into drum teching and more!Check that video out here:

Sean Bates Vater Video: 

Posted by Chad on Monday, September 10, 2012 12:11 PM
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